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Legends say the jade cups have magical properties.

In the late nineteenth century, Nick Knight was an archaeologist working on a dig at the Mayan site of Altun Kinal. There he found a jade cup, one of a pair that were used in a ritual that, among other things, involved pouring blood from one to the other. This ritual was supposed to provide a cure for vampirism. Before he could come upon the other cup, though, the excavation had to be abandoned because of mysterious attacks on the workers—presumably by LaCroix, who would certainly not want Nick to find a cure.

In 1988, Nick moved to Toronto. Three years later, the Royal Ontario Museum showed an exhibit of recently excavated Mayan artifacts. Among them was a second jade cup. The news report of the exhibit brought LaCroix to Toronto post haste—but secretly, lest Nick realize his intentions. He broke into the museum, killed the security guard on duty, and stole the cup. Nick was one of the detectives assigned to investigate the murder of the guard; and, when he realized what sort of artifact had been stolen, he immediately suspected that LaCroix was in town.

His first confrontation with LaCroix resulted in the stolen cup being broken, thereby making it impossible for him to complete the ritual. At the end of "Dark Knight: The Second Chapter", therefore, when Nick ostensibly returned the stolen cup to the museum, he actually substituted the jade cup he had dug up a century earlier.

Symbolism on the Cup[]

The similarity of the cup to a large jade sculpture found at an actual archaeological dig at Altun Ha suggests that the prop department researched Mayan symbolism and religion before creating the cup.

Mayan jade sculpture2

Jade sculpture of Kinich Ahau, found at Altun Ha.


The Jade Head sculpture is round and has a face. The eyes are large and cross-eyed, there is a large beak-like nose, an open mouth with what looks like fangs coming down from each side, and decorative work (or shells) where ears would be. There is also a glyph on the top of the nose. These characteristics and the glyph identify this sculpture as a representation of Kinich Ahau, the Mayan Sun God. He is responsible for bringing the sun (sacred fire of the sky) up each dawn.

[...]

This also allows for an amazing understanding of linking this god to a cure for vampirism. Vampires were individuals who used to be able to walk in the sun, but now are creatures of the darkness, like others in the Underworld. Kinich Ahau goes from the lighted world, navigates through the dark Underworld because he knows the way, and emerges once again into the light. Beautiful. Any ritual evoking him would involve the concept of transformation and reincarnation or rebirth: day going into night, to reemerge again into day. So simple.

excerpted from [Live on the Air - In-depth on Altun Kinal and the Mayan Cups]][1] by Nicholas_Lucien


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